
As many of you know, a new Beck album is a rare treat for me, something I look forward to and sometimes dream about. Naturally, I was at the record shop when they opened the doors to purchase Beck's newest offering,
The Information. The disk came with a set of bizarre stickers and the cover was made of graph paper, the idea being that every person can design their own cover.
Okay, so that was moderately fun. (See my cover to the left). Problem is, and please understand how much is pains me to write this, that is about the only thing fun about this album.
I don't necessarily want to go into the scientology stuff, which has been written about elsewhere, particularly
here and
here and
here. Suffice it to say, when the last track on the album "The Horrible Fanfare/Landslide/Exoskeleton" contains an absurd conversation about space ships, I start thinking the worst.
But this album is bland and joyless, mindless, and limp as a noodle. It is all dressed up with a hiphop veneer, but beneath the flashy surface there's none of the depth, the complexity, the brilliance that characterizes Beck's previous work. Maybe Beck is the victim of his own success, or maybe I'm holding him to an impossibly high standard, but I've listened to it beginning to end several times, giving it every benefit of the doubt, hoping that it will reveal itself to me, but as yet that hasn't happened.
I experienced a similar sensation with the previous album,
Guero, but eventually I did find a spark in it, just not as quickly as I was accustomed to with Beck. I found many of the tracks on that album cold and pointless, but there was still some musical inventiveness and a touch of fun, a muted homage to the themes of
Midnite Vultures, that won me over. That, I think, is where
The Information has failed. The lyrics are predictable and and the music lacks flair. Most of all, it lacks fun. With the exception of "Cellphone's Dead" and "No Complaints" I can find no other tracks to hang on to.
To echo what
other reviewers have said, Beck is goin' nowhere fast, and that might be because he has stopped reaching out into the musical universe. Both
Guero and
The Information are remarkably hermetic, rehashes of terrain that Beck had already explored. The genius of Beck, when he was on top of his game, was his ability to grab music, the leftovers and throwaways of diverse musical genres, from all corners of the globe, and mesh them into something fresh and unique. Officially, that aesthetic has gone missing in
The Information, and the result is music that feels stuffy and stale. Beck desperately needs a breath of fresh air.